دانشگاه تربیت مدرسنقش جهان - مطالعات نظری و فناوری های نوین معماری و شهرسازی2322-49918420190220Evaluation of the Effects of Religious Spaces on Citizenâs Behaviors with Particular Reference to the Selected Tehran Mosquesارزیﺎﺑﯽ ﺗﺎﺛﯿﺮ ﻓﻀﺎﻫﺎی ﻣﺬﻫﺒﯽ ﺑﺮ ویﮋﮔﯽ ﻫﺎی رﻓﺘﺎری ﺷﻬﺮوﻧﺪان ﺑﺎ ﺗﺎﮐﯿﺪ ﺑﺮ ﻣﺴﺎﺟﺪ ﻣﻨﺘﺨﺐ ﺗﻬﺮان205211839FAسکینهمعروفیﮔﺮوه ﺷﻬﺮﺳﺎزی، ﻣﺮﮐﺰ آﻣﻮزش ﻋﺎﻟﯽ ﻓﻨﯽ و ﻣﻬﻨﺪﺳﯽ ﺑﻮﺋﯿﻦ زﻫﺮا، ﻗﺰویﻦ، ایﺮانعلیاکبرتقواییﮔﺮوه ﺷﻬﺮﺳﺎزی، داﻧﺸﮑﺪه ﻫﻨﺮ و ﻣﻌﻤﺎری، داﻧﺸﮕﺎه ﺗﺮﺑﯿﺖ ﻣﺪرس، ﺗﻬﺮان، ایﺮانمحمدرضاپورجعفرﮔﺮوه ﺷﻬﺮﺳﺎزی، داﻧﺸﮑﺪه ﻫﻨﺮ و ﻣﻌﻤﺎری، داﻧﺸﮕﺎه ﺗﺮﺑﯿﺖ ﻣﺪرس، ﺗﻬﺮان، ایﺮانJournal ArticleThe nature of people-environment relationships is reflected in multiple research paradigms of the field, including studies of environmental stress, cognitive mapping, environmental assessment, human spatial behavior, resource conservation behaviors, and ecological psychology. The environment in which man and human life are surrounded affects human behaviors, senses, and perceptions. In this case, the built physical environment, particularly in cities is the most important part of human living spaces. These spaces can affect citizen’s life in various ways. Some of them grow out of the meaning of places, some of them are dealt with their physical features and some are concerned with the functions of the environment. Almost everywhere, urban religious spaces such as play a crucial role in human life. Need to pray and need to have an enthusiasm social life are of almost everybody’s spiritual needs. So due to meet, these essential needs, religious places have been established. In Islamic countries, mosques are of the main urban religious places, they serve as places where Muslims can get together for salat (Prayer) as well as for getting information, education, and dispute settlement. The main question of the present research is, whether attending in religious places can affect the citizens’ behavior or not? It seems that there are meaningful relations between attending in religious places and citizens’ behaviors. In order to examine the above hypothesis, two mosques (Hazrat-e Amir al-momenin Mosque and Hazrat-e Abolfazl Mosque) were selected as the case study. These mosques are located respectively in the regions 18 and 2 in the city of Tehran. Then the variables were determined and defined. There were two main variables in this paper. To evaluate the first variable (Attending in a religious place) some indexes were determined. Also, evaluate the second variable (Citizens’ behaviors) several indexes were chosen. Due to describe the variable of human behavior, the characteristics of human behavior have been divided into 2 parts, Social and individual, then to assess these features some indexes such as participation, philanthropy, self-confidence, social trust and etc, have been chosen. Then a questionnaire was prepared and data were collected. Finally, the responses were analyzed by SPSS 17. Based on the results, the hypothec of the investigation was accepted. It means that in the area under study there is a meaningful relation between attending in religious places and citizen’s behaviors.<span>ﭘﮋوﻫﺶ ﺣﺎﺿﺮ ﺑﺎ ﻫﺪف ﺗﺒﯿﻦ ﭼﺎرﭼﻮب ﻧﻈﺮی در زﻣﯿﻨﻪ ارﺗﺒﺎط ﻣﯿﺎن ﻓﻀﺎﻫﺎی ﻣﺬﻫﺒﯽ و ﺗﺎﺛﯿﺮ آن ﺑﺮ ویﮋﮔﯽﻫﺎی رﻓﺘﺎری (ﻓﺮدی و اﺟﺘﻤﺎﻋﯽ) ﺗﻬﯿﻪ ﺷﺪه اﺳﺖ. ﺳﺌﻮال اﺻﻠﯽ ایﻦ ﭘﮋوﻫﺶ ایﻦ اﺳﺖ ﮐﻪ ﻣﺮاﺟﻌﻪ و اﺳﺘﻔﺎده از ﻓﻀﺎﻫﺎی ﻣﺬﻫﺒﯽ ﺑﺮ ویﮋﮔﯽﻫﺎی رﻓﺘﺎری اﻓﺮاد ﺟﺎﻣﻌﻪ ﺷﻬﺮی ﭼﻪ ﺗﺎﺛﯿﺮی دارد؟ ﻓﺮﺿﯿﻪ ﺗﺤﻘﯿﻖ ﻧﯿﺰ ایﻦ ﺑﻮد ﮐﻪ ﺑﻪ ﻧﻈﺮ ﻣﯽرﺳﺪ ﻣﯿﺎن ﻣﯿﺰان ﻣﺮاﺟﻌﻪ ﺑﻪ ﻣﺴﺠﺪ و ویﮋﮔﯽﻫﺎی رﻓﺘﺎری (اﺟﺘﻤﺎﻋﯽ- ﻓﺮدی) راﺑﻄﻪ ﻣﻌﻨﯽداری وﺟﻮد دارد. ﺑﺮای آزﻣﻮن ﻓﺮﺿﯿﻪ ﻓﻮق ﭘﺲ از اﻧﺠﺎم ﻣﻄﺎﻟﻌﺎت ﻧﻈﺮی و ﭘﺎیﻪ در ﺧﺼﻮص ارایﻪ ﺗﻌﺎریﻒ ﻧﻈﺮی و ﻋﻤﻠﯿﺎﺗﯽ از ﻣﺘﻐﯿﺮﻫﺎی ﺗﺤﻘﯿﻖ، ﺑﻪ ﺑﺮرﺳﯽ ﻧﻤﻮﻧﻪ ﻫﺎی ﻣﻮردی (ﻧﻤﺎزﮔﺰاران دو ﻣﺴﺠﺪ از ﻣﻨﺎﻃﻖ ۲ و ۱۸ ﺗﻬﺮان) ﭘﺮداﺧﺘﻪ ﺷﺪ. در ایﻦ ﭘﮋوﻫﺶ دو ﻣﺘﻐﯿﺮ ﻣﯿﺰان اﺳﺘﻔﺎده از ﻣﺴﺠﺪ، ویﮋﮔﯽﻫﺎی رﻓﺘﺎری وﺟﻮد داﺷﺖ. ﺑﻪ ﻣﻨﻈﻮر ﺟﻤﻊآوری داده در زﻣﯿﻨﻪ ﻣﺘﻐﯿﺮﻫﺎی ﺗﺤﻘﯿﻖ و آزﻣﻮن ﻓﺮﺿﯿﻪ ﻣﻮرد ﻧﻈﺮ ﭘﺮﺳﺶ ﻧﺎﻣﻪای ﺑﺎ ۳۶ ﮔﻮیﻪ ﺗﻬﯿﻪ و ﺑﺎ روش ﻧﻤﻮﻧﻪﮔﯿﺮی ﺗﺼﺎدﻓﯽ ﺗﻮﺳﻂ ۹۰ ﻧﻔﺮ از ﻧﻤﺎزﮔﺰاران ایﻦ دو ﻣﺴﺠﺪ در ﺗﻬﺮان ﺗﮑﻤﯿﻞ ﺷﺪ. ﺑﺎ اﺳﺘﻔﺎده از ﻧﺮماﻓﺰار SPSS ۱۷ و رﮔﺮﺳﯿﻮن ﺧﻄﯽ ﺑﻪ ﺑﺮرﺳﯽ راﺑﻄﻪ ﻣﯿﺎن دو ﻣﺘﻐﯿﺮ ﭘﺮداﺧﺘﻪ ﺷﺪ. ﺑﺮاﺳﺎس ﻧﺘﺎیﺞ ﺑﻪدﺳﺖآﻣﺪه در ﺟﺎﻣﻌﻪ آﻣﺎری ﺗﺤﺖ ﻣﻄﺎﻟﻌﻪ، ﻣﯿﺎن ﻣﯿﺰان ﻣﺮاﺟﻌﻪ ﺑﻪ ﻣﺴﺠﺪ و ویﮋﮔﯽﻫﺎی رﻓﺘﺎری اﻓﺮاد راﺑﻄﻪ ﻣﻌﻨﯽداری وﺟﻮد داﺷﺖ. </span>https://bsnt.modares.ac.ir/article_839_8f7d807e1f53eff5f9efbe5cb81090fb.pdfدانشگاه تربیت مدرسنقش جهان - مطالعات نظری و فناوری های نوین معماری و شهرسازی2322-49918420190220Investigation and Analysis of Arabesque Patterns and Herbal Designs of Aljaito Altar in Jameh Mosque of Isfahanﺑﺮرﺳﯽ و ﺗﺤﻠﯿﻞ اﻟﮕﻮﻫﺎی اﺳﻠﯿﻤﯽ و ﻧﻘﻮش ﮔﯿﺎﻫﯽ ﻣﺤﺮاب اﻟﺠﺎیﺘﻮ ﻣﺴﺠﺪ ﺟﺎﻣﻊ اﺻﻔﻬﺎن213221840FAلاچینپهلوانعلمداریﮔﺮوه ﻣﻌﻤﺎری، واﺣﺪ ﻋﻠﻮم و ﺗﺤﻘﯿﻘﺎت، داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ، ﺗﻬﺮان، ایﺮانفرححبیبﮔﺮوه ﻣﻌﻤﺎری، واﺣﺪ ﻋﻠﻮم و ﺗﺤﻘﯿﻘﺎت، داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ، ﺗﻬﺮان، ایﺮانحمیدماجدیﮔﺮوه ﻣﻌﻤﺎری، واﺣﺪ ﻋﻠﻮم و ﺗﺤﻘﯿﻘﺎت، داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ، ﺗﻬﺮان، ایﺮانحمیدماجدیﮔﺮوه ﻣﻌﻤﺎری، واﺣﺪ ﻋﻠﻮم و ﺗﺤﻘﯿﻘﺎت، داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ، ﺗﻬﺮان، ایﺮانحسنستاریساربانقلیﮔﺮوه ﻣﻌﻤﺎری، واﺣﺪ ﺗﺒﺮیﺰ، داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ، ﺗﺒﺮیﺰ، ایﺮانJournal ArticleAims Sacred architecture is a reflector of divine beauties, and it is an illustrative example of the combination and association of symbolic forms with our deep beliefs and this connection can be expressed in the deepest mysterious layers of the altar. The altar is the most important part of the religious building. In the history of architectural decorations in Islamic art, altar has always embedded the best and most valuable examples in terms of style and in terms of motifs as well as calligraphy values. The Aljaito altar, in terms of the art of Stucco used in it, is in the rank of the most beautiful works of the Ilkhani era. In this research, the study of the herbal designs of the altar, the characteristics, and generalities of the motifs and the patterns governing them are the aim of the research.<br>
Instruments & Methods Through library and field studies, we have identified the decoration of the altar of the Jameh Mosque of Isfahan. The research method is descriptive-analytical and uses architectural software.<br>
Findings & Conclusion The following results were obtained by examining the designs and decorations of Aljaito altar: 81 patterns of herbal design were extracted from the altar designs, with a range of 28% horizontal rectangle, 22% circle, 21% pentagon, 15% vertical rectangular, 7% star, 6% square, and 1% Shamseh; the majority of it included horizontal rectangle. Also, the dominant line in Aljaito altar designs adhered to 100% of the curve pattern, and 85% were completely non-symmetrical and 15% was vertical to the axis in the herbal designs.<span>اﻫﺪاف: ﻣﻌﻤﺎری ﻗﺪﺳﯽ، ﺟﻠﻮهای از زیﺒﺎیﯽﻫﺎی اﻟﻬﯽ و ﻧﻤﻮﻧﻪ ﺑﺎرزی از ﺗﻠﻔﯿﻖ و ارﺗﺒﺎط ﻓﺮمﻫﺎی ﻧﻤﺎدیﻦ ﺑﺎ ﻣﻌﺎﻧﯽ و ﺑﺎورﻫﺎی ﻋﻤﯿﻖ اﻋﺘﻘﺎدی ﻣﺎﺳﺖ ﮐﻪ ایﻦ ارﺗﺒﺎط را ﻣﯽﺗﻮان در ﻋﻤﯿﻖﺗﺮیﻦ ﻻیﻪﻫﺎی رازآﻟﻮد ﻣﺤﺮابﻫﺎ ﺑﯿﺎن داﺷﺖ. ﻣﺤﺮاب ﻣﻬﻢﺗﺮیﻦ ﺑﺨﺶ ﺑﻨﺎی ﻣﺬﻫﺒﯽ ﻣﺤﺴﻮب ﻣﯽﺷﻮد. در ﺗﺎریﺦ ﺗﺰیﯿﻨﺎت ﻣﻌﻤﺎری در ﻫﻨﺮ اﺳﻼﻣﯽ، ﻫﻤﻮاره ﻣﺤﺮابﻫﺎ ﭼﻪ ﺑﻪ ﻟﺤﺎظ ﺷﯿﻮه و ﭼﻪ از ﻧﻈﺮ ﻧﻘﺶﻣﺎیﻪﻫﺎ و ارزشﻫﺎی ﺧﻄﯽ و ﺧﻮشﻧﻮیﺴﯽ، ﺑﻬﺘﺮیﻦ و ارزﺷﻤﻨﺪﺗﺮیﻦ ﻧﻤﻮﻧﻪﻫﺎی ﻣﻮﺟﻮد را در ﺧﻮد ﺟﺎ دادهاﻧﺪ. ﻣﺤﺮاب اﻟﺠﺎیﺘﻮ ﺑﻪ ﻟﺤﺎظ ﻫﻨﺮ ﮔﭻﺑﺮی ﺑﻪﮐﺎررﻓﺘﻪ در آن، در ردیﻒ زیﺒﺎﺗﺮیﻦ آﺛﺎر ﻋﺼﺮ ایﻠﺨﺎﻧﯽ ﻗﺮار ﮔﺮﻓﺘﻪ اﺳﺖ. در ایﻦ ﺗﺤﻘﯿﻖ ﺗﺤﻠﯿﻞ و ﺑﺮرﺳﯽ ﻧﻘﻮش ﮔﯿﺎﻫﯽ ﻣﺤﺮاب، ویﮋﮔﯽﻫﺎ، ﮐﻠﯿﺎت و ﺟﺰیﯿﺎت ﻧﻘﻮش و اﻟﮕﻮﻫﺎی ﺣﺎﮐﻢ ﺑﺮ آﻧﻬﺎ ﻫﺪف ﺗﺤﻘﯿﻖ اﺳﺖ.<br>
اﺑﺰار و روشﻫﺎ: از ﻃﺮیﻖ ﻣﻄﺎﻟﻌﺎت ﮐﺘﺎﺑﺨﺎﻧﻪای و ﻣﯿﺪاﻧﯽ ﺑﻪ ﺷﻨﺎﺳﺎیﯽ ﺗﺰیﯿﻨﺎت ﻣﺤﺮاب ﻣﺴﺠﺪ ﺟﺎﻣﻊ اﺻﻔﻬﺎن ﭘﺮداﺧﺘﻪایﻢ. روش ﺗﺤﻘﯿﻖ، ﺗﻮﺻﯿﻔﯽ- ﺗﺤﻠﯿﻠﯽ ﺑﻮده و از ﻧﺮماﻓﺰارﻫﺎی ﻣﻌﻤﺎری اﺳﺘﻔﺎده ﺷﺪه اﺳﺖ.<br>
یﺎﻓﺘﻪﻫﺎ و ﻧﺘﯿﺠﻪﮔﯿﺮی: ﺑﺎ ﺑﺮرﺳﯽ ﻧﻘﻮش و ﺗﺰیﯿﻨﺎت ﻣﺤﺮاب اﻟﺠﺎیﺘﻮ ﻧﺘﺎیﺞ زیﺮ ﺑﻪ دﺳﺖ آﻣﺪ: ۸۱ اﻟﮕﻮی ﻧﻘﻮش ﮔﯿﺎﻫﯽ از ﻧﻘﻮش ﻣﺤﺮاب اﺳﺘﺨﺮاج ﺷﺪ ﮐﻪ ﻣﺤﺪوده ﻧﻘﻮش ۲۸% ﻣﺴﺘﻄﯿﻞ اﻓﻘﯽ، ۲۲% دایﺮه، ۲۱% ﭘﻨﺞﺿﻠﻌﯽ، ۱۵% ﻣﺴﺘﻄﯿﻞ ﻋﻤﻮدی، ۷% ﺳﺘﺎره، ۶% ﻣﺮﺑﻊ، و ۱% ﺷﻤﺴﻪ ﺑﻮد، ﮐﻪ اﮐﺜﺮیﺖ ﻣﺤﺪوده ﻣﺴﺘﻈﯿﻞ اﻓﻘﯽ را ﺷﺎﻣﻞ ﻣﯽﺷﺪ. ﺧﻂ ﻏﺎﻟﺐ در ﻧﻘﻮش ﻣﺤﺮاب اﻟﺠﺎیﺘﻮ ۱۰۰% از اﻟﮕﻮی ﻏﯿﺮﻣﺘﻘﺎرن و ۱۵% ﺗﻘﺎرن ﻣﻨﺤﻨﯽ ﺗﺒﻌﯿﺖ ﻣﯽﮐﺮد . در ﺑﺮرﺳﯽ ﭼﮕﻮﻧﮕﯽ ﺗﻘﺎرن در ﻧﻘﻮش ﮔﯿﺎﻫﯽ ﺑﻪﮐﺎررﻓﺘﻪ در ﻣﺤﺮاب، ۸۵% ﮐﺎﻣﻼ ﻧﺴﺒﺖ ﺑﻪ ﻣﺤﻮر ﻋﻤﻮد ﺑﻮده اﺳﺖ.</span><br>https://bsnt.modares.ac.ir/article_840_fa83a11a198d5a7f0bf77a1987bcd006.pdfدانشگاه تربیت مدرسنقش جهان - مطالعات نظری و فناوری های نوین معماری و شهرسازی2322-49918420190220Recognition of Urbanscape Identity Components in Iranian Islamic Cities - The case of Tehranﺑﺎزﺷﻨﺎﺳﯽ ﻣﻮﻟﻔﻪﻫﺎی ﻫﻮیﺖ ﻣﻨﻈﺮ ﺷﻬﺮی در ﺷﻬﺮﻫﺎی ایﺮاﻧﯽ- اﺳﻼﻣﯽ، ﻧﻤﻮﻧﻪ ﻣﻮردی ﺷﻬﺮ ﺗﻬﺮان223230841FAسارادنبلیﭘﮋوﻫﺸﮑﺪه ﻓﺮﻫﻨﮓ ﻫﻨﺮ و ﻣﻌﻤﺎری، ﺟﻬﺎد داﻧﺸﮕﺎﻫﯽ، ﺗﻬﺮان، ایﺮانحسینکلانتریخلیلآبادﮔﺮوه ﻣﻌﻤﺎری و ﻣﻨﻈﺮ، ﺟﻬﺎد داﻧﺸﮕﺎﻫﯽ، ﺗﻬﺮان، ایﺮانعارفآقاصفریﮔﺮوه ﺑﺮﻧﺎﻣﻪریﺰی ﺷﻬﺮی و ﻣﻨﻄﻘﻪ ای، ﺟﻬﺎد داﻧﺸﮕﺎﻫﯽ، ﺗﻬﺮان، ایﺮانJournal ArticleIdentification debate is one of the significant issues in Iranian cities. The lack of attention to identifying factors in the cities of Iran especially in Tehran creates environments without solidarity and social engagement. This paper tries to analyze the different identity aspects of Islamic Iranian cities based on three general concepts of urban identity, Islamic urban planning and urbanscape.<br>
Also, stating the position (Identity), meaning, and form of the Islamic Iranian cities with recognizing and ranking the components which have been created and strengthened the physical identity of urbanscape have been used. This research is a fundamental-applied research. In order to achieve the research goals, in the first step, the theoretical foundations of the subject were examined through referring to the books and articles. In the next section, the bodies of physical identity of the city of Iran were studied based on the theoretical framework of the research. These criteria were evaluated and prioritized by twenty experts in urban planning based on Hierarchical Analyzer Technique (AHP) and by expert selection analyzer. The results of this research show that identity component with 0.540 points had the highest score and the criteria of sense of place, sense of security and principles of architectural elements were respectively 0.329, 0.239, 0.283.<span>یﮑﯽ از ﻣﺴﺎیﻞ ﻣﻬﻢ در ﺷﻬﺮﻫﺎی ایﺮاﻧﯽ، ﺑﺤﺚ ﻫﻮیﺖ در اﻳﻦ ﺷﻬﺮﻫﺎ اﺳﺖ. ﮐﻢﺗﻮﺟﻬﯽ ﺑﻪ اﺑﻌﺎد و ﻋﻮاﻣﻞ ﻫﻮیﺖﺑﺨﺶ در ﺷﻬﺮﻫﺎی ایﺮاﻧﯽ ﺑﻪﺧﺼﻮص ﺗﻬﺮان، ﻣﻮﺟﺐ اﻳﺠﺎد ﻣﺤﯿﻂﻫﺎیﯽ ﺑﺪون ﻫﻤﺒﺴﺘﮕﯽ و ﻣﺸﺎرﻛﺖ اﺟﺘﻤﺎﻋﯽ ﺷﺪه اﺳﺖ. در ایﻦ ﻣﻘﺎﻟﻪ ﺳﻌﯽ ﺷﺪ ﺑﺎ ﺗﻌﺮیﻒ و ﺑﺮرﺳﯽ ﻣﻮﻟﻔﻪ ﻫﺎی ﻫﻮیﺖﺑﺨﺶ ﻣﻨﻈﺮ ﺷﻬﺮﻫﺎی ایﺮاﻧﯽ- اﺳﻼﻣﯽ و ﺑﺎ ﺗﮑﯿﻪ ﺑﺮ ﺳﻪ ﻣﻔﻬﻮم ﮐﻠﯽ از ﻫﻮیﺖ ﺷﻬﺮ، ﺷﻬﺮﺳﺎزی ایﺮاﻧﯽ-اﺳﻼﻣﯽ و ﻣﻨﻈﺮ ﺷﻬﺮی، ﺟﻨﺒﻪ ﻫﺎی ﻣﺨﺘﻠﻒ ﺷﻬﺮ ایﺮاﻧﯽ- اﺳﻼﻣﯽ ﻣﻮرد ﺗﺤﻠﯿﻞ و ﺑﺮرﺳﯽ ﻗﺮار ﮔﯿﺮد. ﻫﻤﭽﻨﯿﻦ ﺗﻌﯿﯿﻦ ﻧﻘﺶ، ﺟﺎیﮕﺎه (ﻫﻮیﺖ)، ﻣﻌﻨﺎ و ﺷﮑﻞ در ﺷﻬﺮ ایﺮاﻧﯽ- اﺳﻼﻣﯽ، ﺑﺎزﺷﻨﺎﺳﯽ و رﺗﺒﻪﺑﻨﺪی ﻣﻮﻟﻔﻪﻫﺎیﯽ ﮐﻪ ﺳﺒﺐ ایﺠﺎد و ﺗﻘﻮیﺖ ﻫﻮیﺖ ﮐﺎﻟﺒﺪی ﻣﻨﻈﺮ ﺷﻬﺮی در ﺷﻬﺮﻫﺎی ایﺮاﻧﯽ- اﺳﻼﻣﯽ ﻫﺴﺘﻨﺪ، ﮐﻤﮏ ﮔﺮﻓﺘﻪ ﺷﺪ. ﺗﺤﻘﯿﻖ ﺣﺎﺿﺮ ﭘﮋوﻫﺸﯽ ﺑﻨﯿﺎدی- ﮐﺎرﺑﺮدی اﺳﺖ. ﺑﺮای ﻧﯿﻞ ﺑﻪ اﻫﺪاف ﭘﮋوﻫﺶ در ﮔﺎم ﻧﺨﺴﺖ ﻣﺒﺎﻧﯽ ﻧﻈﺮی ﻣﻮﺿﻮع از ﻃﺮیﻖ ﻣﺮاﺟﻌﻪ ﺑﻪ ﮐﺘﺐ و ﻣﻘﺎﻻت ﺑﺮرﺳﯽ ﺷﺪ و در ﺑﺨﺶ ﺑﻌﺪی ﺑﺮ ﻣﺒﻨﺎی ﭼﺎرﭼﻮب ﻧﻈﺮی ﭘﮋوﻫﺶ، ارﮐﺎن ﻫﻮیﺖ ﮐﺎﻟﺒﺪی ﺷﻬﺮ ایﺮاﻧﯽ ﻣﻮرد ﺑﺮرﺳﯽ ﻗﺮار ﮔﺮﻓﺖ. ایﻦ ﻣﻌﯿﺎرﻫﺎ ﺗﻮﺳﻂ ﺗﮑﻨﯿﮏ ﺗﺤﻠﯿﻞ ﺳﻠﺴﻠﻪ ﻣﺮاﺗﺒﯽ (AHP) و ﺑﺎ ﮐﻤﮏ ﻧﺮماﻓﺰار Expert choice ۱۱ ﺗﻮﺳﻂ ﺑﯿﺴﺖ ﻧﻔﺮ از ﻣﺘﺨﺼﺼﺎن ﻓﻌﺎل در ﺣﺮﻓﻪ ﺷﻬﺮﺳﺎزی اوﻟﻮیﺖﺑﻨﺪی و ارزیﺎﺑﯽ ﺷﺪ. ﻧﺘﺎیﺞ ﺣﺎﺻﻞ از ایﻦ ﺗﺤﻘﯿﻖ ﻧﺸﺎن ﻣﯽدﻫﺪ ﮐﻪ ﻣﻮﻟﻔﻪ ﻫﻮیﺖ ﺑﺎ ۰/۵۴۰ ﺑﯿﺸﺘﺮیﻦ اﻣﺘﯿﺎز را ﺑﻪ ﺧﻮد اﺧﺘﺼﺎص داده و ﻣﻌﯿﺎرﻫﺎی ﺣﺲ ﻣﮑﺎن، اﺣﺴﺎس اﻣﻨﯿﺖ و اﺻﻮل ﻋﻨﺎﺻﺮ ﻣﻌﻤﺎری ﺷﻬﺮ ﺑﻪﺗﺮﺗﯿﺐ ﺑﺎ ۰/۳۲۹، ۰/۲۳۹ و ۰/۲۸۳ ﺑﯿﺸﺘﺮیﻦ رﺗﺒﻪ را ﺑﻪ ﺧﻮد اﺧﺘﺼﺎص دادﻧﺪ</span>https://bsnt.modares.ac.ir/article_841_02a32ad2669e6fe298e607fe7cc0e1a0.pdfدانشگاه تربیت مدرسنقش جهان - مطالعات نظری و فناوری های نوین معماری و شهرسازی2322-49918420190220A Survay on Space and Place Based on the Transcendence of Iranian- Islamic Architectureﺗﻔﺤﺼﯽ ﺑﺮ ﻓﻀﺎ و ﻣﮑﺎن ﻣﺒﺘﻨﯽ ﺑﺮ اﺳﺘﻌﻼی ﻣﻌﻤﺎری و ﺷﻬﺮﺳﺎزی اﺳﻼﻣﯽ ایﺮاﻧﯽ231239842FAجمالالدینمهدینژادﮔﺮوه ﻣﻌﻤﺎری، داﻧﺸﮑﺪه ﻣﻬﻨﺪﺳﯽ ﻣﻌﻤﺎری و ﺷﻬﺮﺳﺎزی، داﻧﺸﮕﺎه ﺗﺮﺑﯿﺖ دﺑﯿﺮ ﺷﻬﯿﺪ رﺟﺎیﯽ ﺗﻬﺮان، ایﺮانعلیصادقیحبیب آبادﮔﺮوه ﻣﻌﻤﺎری، داﻧﺸﮑﺪه ﻣﻬﻨﺪﺳﯽ ﻣﻌﻤﺎری و ﺷﻬﺮﺳﺎزی، داﻧﺸﮕﺎه ﺗﺮﺑﯿﺖ دﺑﯿﺮ ﺷﻬﯿﺪ رﺟﺎیﯽ ﺗﻬﺮان، ایﺮانJournal ArticleAims Space is the most fundamental aspect of architecture, whose survival directly depends on place survival. The origin of the sense of space is the place that is closely related to it. Architecture space, as one of the main carriers of the art, has a prominent place in society. The place and space were raised as a main subject in both philosophy and architecture and an important part of the literature of these two has human thought aspect. It can be said that the relationship between place and space and their impact on environmental psychology of architecture is the most basic requirement to understand the architecture and the transcendental sense of space to architecture. One of the objectives of this study is to examine the characteristics of the place in creating architectural space, which will be dealt with.<br>
Materials & Methods This is is descriptive-analytical research and it is based on library documents; also, interviews with experts in this field helped us in this regard. The question ahead is “how much can space in architecture affect the audience feeling and how much important is the position of place in the architectural space?<br>
Findings A space in architecture is beautiful when the special attributes of space are in harmony with space operations. This is a principle, which is evident in the study of traditional architecture.<br>
Conclusion Identification of useful elements in the sense of place and space can help us in creating a successful architecture. The positive energy emitted from the architecture space to the audience is controlled by architect and s/he can use it.<span>اﻫﺪاف: ﻓﻀﺎ اﺳﺎﺳﯽﺗﺮیﻦ وﺟﻪ ﻫﻨﺮ ﻣﻌﻤﺎری اﺳﺖ ﮐﻪ ﺑﻘﺎی آن ﺑﻪﻃﻮر ﻣﺴﺘﻘﯿﻢ ﺑﻪ ﺑﻘﺎی ﻣﮑﺎن واﺑﺴﺘﻪ اﺳﺖ. ﻣﻨﺸﺄ ﺣﺲ ﻓﻀﺎ، ﻣﮑﺎن اﺳﺖ ﮐﻪ راﺑﻄﻪ ﻧﺰدیﮏ ﺑﻪ ﻫﻢ دارﻧﺪ. ﻓﻀﺎی ﻣﻌﻤﺎری ﺑﻪﻋﻨﻮان یﮑﯽ از ﺣﺎﻣﻞﻫﺎی اﺻﻠﯽ ﻫﻨﺮ دارای ﺟﺎیﮕﺎﻫﯽ ﺷﺎﺧﺺ در ﺟﺎﻣﻌﻪ اﺳﺖ. ﻣﮑﺎن و ﻓﻀﺎ در ﺣﻮزه ﻓﻠﺴﻔﻪ و ﻣﻌﻤﺎری ﺑﻪﻋﻨﻮان یﮏ ﻣﻮﺿﻮع اﺳﺎﺳﯽ ﻣﻄﺮح ﺑﻮده و ﺑﺨﺶ ﻣﻬﻤﯽ از ادﺑﯿﺎت ایﻦ دو وﺟﻪ اﻧﺪیﺸﻪ اﻧﺴﺎﻧﯽ را ﺑﻪ ﺧﻮد اﺧﺘﺼﺎص داده اﺳﺖ. ﻣﯽﺗﻮان ﮔﻔﺖ ﻫﻤﯿﻦ راﺑﻄﻪ ﻣﯿﺎن ﻣﮑﺎن و ﻓﻀﺎ و ﺗﺎﺛﯿﺮ آﻧﺎن در روانﺷﻨﺎﺳﯽ ﻣﺤﯿﻄﯽ ﻣﻌﻤﺎری، اﺳﺎﺳﯽﺗﺮیﻦ ﻻزﻣﻪ درک ﻣﻌﻤﺎری و اﺳﺘﻌﻼیﯽﺷﺪن ﺣﺲ ﻓﻀﺎ ﺑﻪ ﻣﻌﻤﺎری اﺳﺖ. ﺑﺮرﺳﯽ ﻣﺸﺨﺼﻪﻫﺎی ﻣﮑﺎن در ایﺠﺎد ﻓﻀﺎی ﻣﻌﻤﺎری، از اﻫﺪاف ایﻦ ﮔﺬار اﺳﺖ ﮐﻪ ﺑﺪان ﭘﺮداﺧﺘﻪ ﺧﻮاﻫﺪ ﺷﺪ.<br>
اﺑﺰار و روشﻫﺎ: روش ایﻦ ﭘﮋوﻫﺶ ﺗﻮﺻﯿﻔﯽ- ﺗﺤﻠﯿﻠﯽ و ﻣﺒﺘﻨﯽ ﺑﺮ اﺳﻨﺎد ﮐﺘﺎﺑﺨﺎﻧﻪای اﺳﺖ. ﻫﻤﭽﻨﯿﻦ ﻣﺼﺎﺣﺒﻪ ﺑﺎ اﻓﺮاد ﺻﺎﺣﺐﻧﻈﺮ در ایﻦ زﻣﯿﻨﻪ ﻣﺎ را در ایﻦ اﻣﺮ یﺎری ﮐﺮده اﺳﺖ. ﺳﺌﻮال ﭘﯿﺶ رو آن اﺳﺖ ﮐﻪ ﺑﻪ ﭼﻪ ﻣﯿﺰان ﻓﻀﺎ در ﻣﻌﻤﺎری، ﻣﯽﺗﻮاﻧﺪ ﺣﺲ ﻣﺨﺎﻃﺐ را ﺗﺤﺖ ﺗﺎﺛﯿﺮ ﺧﻮد ﻗﺮار دﻫﻨﺪ و ﺟﺎیﮕﺎه ﻣﮑﺎن در ﻓﻀﺎی ﻣﻌﻤﺎری ﺑﻪ ﭼﻪ ﻣﯿﺰان اﻫﻤﯿﺖ دارد؟ یﺎﻓﺘﻪﻫﺎ: یﮏ ﻓﻀﺎ در ﻣﻌﻤﺎری وﻗﺘﯽ زیﺒﺎ اﺳﺖ ﮐﻪ ﺻﻔﺖﻫﺎی ویﮋه ﻓﻀﺎ ﺑﺎ ﻋﻤﻠﮑﺮدﻫﺎی ﻓﻀﺎ ﻫﻤﺎﻫﻨﮕﯽ داﺷﺘﻪ ﺑﺎﺷﺪ و ایﻦ اﺻﻠﯽ اﺳﺖ ﮐﻪ در ﺑﺮرﺳﯽ ﻣﻌﻤﺎری ﺳﻨﺘﯽ و ﻗﺪیﻤﯽ مشهود است.<br>
ﻧﺘﯿﺠﻪﮔﯿﺮی: ﺷﻨﺎﺧﺖ ﻣﻮﻟﻔﻪﻫﺎی ﻣﻔﯿﺪ در ﺣﺲ ﻣﮑﺎن و ﺧﻠﻖ ﻓﻀﺎ ﻣﯽﺗﻮاﻧﺪ ﻣﺎ را در ایﺠﺎد ﻣﻌﻤﺎری ﻣﻮﻓﻖ ﮐﻤﮏ ﻧﻤﺎیﺪ و اﻧﺮژی ﻣﺜﺒﺘﯽ ﮐﻪ از ﺳﻤﺖ ﻓﻀﺎی ﻣﻌﻤﺎری ﺑﻪ ﻣﺨﺎﻃﺐ ﺳﺎﻃﻊ ﻣﯽﺷﻮد را در ﮐﻨﺘﺮل ﻣﻌﻤﺎر درآورد و از آن ﺑﻬﺮه ﺟﺴﺖ. </span>https://bsnt.modares.ac.ir/article_842_fc3cf452d3da8402bebb765225ce8c0e.pdfدانشگاه تربیت مدرسنقش جهان - مطالعات نظری و فناوری های نوین معماری و شهرسازی2322-49918420190220Analyzing the Effect of Chaharbaghâs Plan before Safavid Period on Designing Safavid Gardenâs Plan in Isfahanﺗﺤﻠﯿﻞ اﺛﺮ ﭘﻼن ﭼﻬﺎرﺑﺎغﻫﺎی ﭘﯿﺶ از ﺻﻔﻮی ﺑﺮ ﻃﺮاﺣﯽ ﭘﻼن ﺑﺎغﻫﺎی ﺻﻔﻮی ﻣﻮﺟﻮد اﺻﻔﻬﺎن241247843FAصفوراروحیﮔﺮوه ﻣﺮﻣﺖ ﺑﻨﺎﻫﺎ و ﺑﺎﻓﺖ ﻫﺎی ﺗﺎریﺨﯽ، داﻧﺸﮑﺪه ﻣﺮﻣﺖ، داﻧﺸﮕﺎه ﻫﻨﺮ اﺻﻔﻬﺎن، اﺻﻔﻬﺎن، ایﺮاننیماولیبیگﮔﺮوه ﻣﺮﻣﺖ ﺑﻨﺎﻫﺎ و ﺑﺎﻓﺖ ﻫﺎی ﺗﺎریﺨﯽ، داﻧﺸﮑﺪه ﻣﺮﻣﺖ، داﻧﺸﮕﺎه ﻫﻨﺮ اﺻﻔﻬﺎن، اﺻﻔﻬﺎن، ایﺮانJournal ArticleSeveral factors have affected the architectural design of Persian Gardens Over time. In the meantime, Chaharbaghs have been the most numerous plans among architecture of Iranian garden. Special features of Chaharbaghs form have affected on designing other gardens. By studying the process of analyzing of Iranian gardens, and their effectiveness from quartet structures, it is possible to renovate a part of the forgotten identity of ancient architecture and also analyze the way that geometric structures affected in gardens. On the other hand, these features can be used in today’s landscaping Designing. There is a direct relationship between length to width ratio of Chaharbaghs forms and designing Safavid garden’s plan in Esfahan. Other researchers in the division of Safavid garden’s plan have focused more on other factors such as spiritual meanings of heaven architecture approach in gardens. First, this research aimed to analyze the role of geometric features embedded in the plans lies in Safavid garden in Esfahan. This article is based on field data and library data. In this study, by implementation plan of Chaharbaghs from past until now, the repeating geometric features in the process of designing the plans will be discussed. This study aimed to reveal the effect of geometric features in Chaharbaghs on designing the plans of gardens in Safavid period. In this article, first the division of gardens will be discussed. After analyzing the words and identifying the various gardens, the common and different features in various types of gardens will be examined. Completed analyzing revealed that the ratio of length to width of the overall atmosphere in comparison to Crete in Safavid garden of Esfahan, repeated like the comparison of Ancient Chaharbagh.<span>در ﮔﺬر زﻣﺎن ﻋﻮاﻣﻞ ﮔﻮﻧﺎﮔﻮﻧﯽ در ﻃﺮاﺣﯽ ﻣﻌﻤﺎری ﺑﺎغ ﻫﺎی ایﺮاﻧﯽ ﺗﺎﺛﯿﺮ ﮔﺬاﺷﺘﻪ اﺳﺖ. ﭼﻬﺎرﺑﺎغﻫﺎ ﭘﺮﺗﻌﺪادﺗﺮیﻦ ﭘﻼن ﺑﻪﮐﺎررﻓﺘﻪ در ﻣﻌﻤﺎری ﺑﺎغﻫﺎی ایﺮاﻧﯽ ﺑﻮده اﻧﺪ. ویﮋﮔﯽﻫﺎی ﻓﺮﻣﯽ ﺧﺎص ﭼﻬﺎرﺑﺎغ ﻫﺎ ﺑﺮ ﻃﺮاﺣﯽ ﺳﺎیﺮ ﺑﺎغ ﻫﺎ ﺗﺎﺛﯿﺮ ﮔﺬاﺷﺘﻪ اﺳﺖ. ﺑﺎ ﺑﺮرﺳﯽ ﻓﺮآیﻨﺪ ﺗﺤﻠﯿﻞ ﺑﺎغﻫﺎی ایﺮاﻧﯽ و ﺗﺎﺛﯿﺮﭘﺬیﺮی آﻧﻬﺎ از ﺳﺎﺧﺘﺎرﻫﺎی ﭼﻬﺎرﺑﺨﺸﯽ ﻣﯽﺗﻮان اﻓﺰون ﺑﺮ ﺑﺎززﻧﺪهﺳﺎزی ﺑﺨﺸﯽ از ﻫﻮیﺖ ﻓﺮاﻣﻮشﺷﺪه ﻣﻌﻤﺎری ﮐﻬﻦ، ﭼﮕﻮﻧﮕﯽ ﺗﺎﺛﯿﺮﭘﺬیﺮی ﺳﺎﺧﺘﺎرﻫﺎی ﻫﻨﺪﺳﯽ را در ﺑﺎغ ﻫﺎ ﺗﺤﻠﯿﻞ ﮐﺮد. از ﺳﻮی دیﮕﺮ ﻣﯽﺗﻮان از ایﻦ ویﮋﮔﯽﻫﺎ در ﻃﺮاﺣﯽ ﻣﺤﻮﻃﻪﺳﺎزیﻫﺎی اﻣﺮوزی اﺳﺘﻔﺎده ﻧﻤﻮد. ﺑﯿﻦ ﻧﺴﺒﺖﻫﺎی ﻃﻮﻟﯽ و ﻋﺮﺿﯽ ﺑﻪ ﮐﺎررﻓﺘﻪ در ﻓﺮمﻫﺎی ﭼﻬﺎرﺑﺎﻏﯽ و ﻃﺮاﺣﯽ ﭘﻼن ﺑﺎغﻫﺎی ﺻﻔﻮی ﻣﻮﺟﻮد اﺻﻔﻬﺎن راﺑﻄﻪ ﻣﺴﺘﻘﯿﻢ وﺟﻮد دارد. ﭘﮋوﻫﺸﮕﺮان دیﮕﺮ در ﺗﻘﺴﯿﻢﺑﻨﺪی ﭘﻼنﻫﺎی ﺑﺎغ ﻫﺎی ﺻﻔﻮی ﺑﯿﺸﺘﺮ ﺑﻪ ﻋﻮاﻣﻠﯽ ﻣﺎﻧﻨﺪ ﻣﻔﺎﻫﯿﻢ ﻣﻌﻨﻮی رویﮑﺮد ﻣﻌﻤﺎری ﺑﻬﺸﺖ در ﺑﺎغﻫﺎ ﭘﺮداﺧﺘﻪاﻧﺪ. ایﻦ ﭘﮋوﻫﺶ ﺑﺮای ﻧﺨﺴﺘﯿﻦﺑﺎر ﻧﻘﺶ ویﮋﮔﯽﻫﺎی ﻫﻨﺪﺳﯽ ﻧﻬﻔﺘﻪ در ﭼﻬﺎرﺑﺎغﻫﺎ را در ﭘﻼن ﺑﺎغﻫﺎی ﺻﻔﻮی ﻣﻮﺟﻮد اﺻﻔﻬﺎن ﺗﺤﻠﯿﻞ ﮐﺮد و ﺑﺮ ﭘﺎیﻪ داده ﻫﺎی ﮐﺘﺎﺑﺨﺎﻧﻪای از یﮏﺳﻮ و داده ﻫﺎی ﻣﯿﺪاﻧﯽ از ﺳﻮی دیﮕﺮ ﻧﻬﺎدیﻨﻪ ﺷﺪه اﺳﺖ. در ایﻦ ﭘﮋوﻫﺶ ﺑﺎ ﺑﺮرﺳﯽ ﺗﻄﺒﯿﻘﯽ ﭘﻼنﻫﺎی ﭼﻬﺎرﺑﺎغ از زﻣﺎن ﮔﺬﺷﺘﻪ ﺗﺎﮐﻨﻮن ﺑﻪ ویﮋﮔﯽ ﻫﺎی ﻫﻨﺪﺳﯽ ﺗﮑﺮارﺷﻮﻧﺪه در ﻓﺮآیﻨﺪ ﻃﺮاﺣﯽ ﭘﻼن ﭘﺮداﺧﺘﻪ ﺷﺪ. ایﻦ ﭘﮋوﻫﺶ ﺳﻌﯽ دارد ﺗﺎ ﺗﺎﺛﯿﺮ ویﮋﮔﯽﻫﺎی ﻫﻨﺪﺳﯽ ﻣﻮﺟﻮد در ﭼﻬﺎرﺑﺎغ را در ﻃﺮاﺣﯽ ﭘﻼنﻫﺎی ﺑﺎغﻫﺎی ﻣﻮﺟﻮد در دوره ﺻﻔﻮی آﺷﮑﺎر ﺳﺎزد. در ایﻦ ﻣﻘﺎﻟﻪ اﺑﺘﺪا ﺑﻪ ﺗﻘﺴﯿﻢﺑﻨﺪی ﺑﺎغﻫﺎ ﭘﺮداﺧﺘﻪ ﺷﺪ، ﭘﺲ از ﺗﺤﻠﯿﻞ واژه ﻫﺎ و ﺷﻨﺎﺳﺎیﯽ اﻧﻮاع ﺑﺎغ ﻫﺎ ویﮋﮔﯽﻫﺎی ﻣﺸﺘﺮک و ﻣﺘﻔﺎوت در ﮔﻮﻧﻪﻫﺎی ﻣﺘﻔﺎوت ﺑﺎغﻫﺎ ﻣﻮرد ﺑﺮرﺳﯽ ﻗﺮار ﮔﺮﻓﺖ. ﺗﺤﻠﯿﻞﻫﺎ آﺷﮑﺎر ﮐﺮد ﻧﺴﺒﺖ ﻃﻮل ﺑﻪ ﻋﺮض ﻓﻀﺎی ﮐﻠﯽ ﺑﻪ ﺗﻘﺴﯿﻢﺑﻨﺪی ﮐﺮتﻫﺎ در ﺑﺎغ ﻫﺎی ﺻﻔﻮی اﺻﻔﻬﺎن ﻧﯿﺰ ﺑﺎ ﻫﻤﺎن ﻧﺴﺒﺖ ﭼﻬﺎرﺑﺎغ ﻫﺎیﮐﻬﻦ ﺗﮑﺮار ﺷﺪه اﺳﺖ. </span>https://bsnt.modares.ac.ir/article_843_3d8e28caf901313a554cebc7d32e67e5.pdfدانشگاه تربیت مدرسنقش جهان - مطالعات نظری و فناوری های نوین معماری و شهرسازی2322-49918420190220Water Quality and Quantity in Iranian-Islamic Residential Architectureکیفیت و کمیت آب در معماری مسکونی ایرانی249257844FAجمالالدینسهیلیﮔﺮوه ﻣﻌﻤﺎری، داﻧﺸﮑﺪه ﻣﻌﻤﺎری و ﺷﻬﺮﺳﺎزی، واﺣﺪ ﻗﺰویﻦ، داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ، ﻗﺰویﻦ، ایﺮانکاملیاگلباطنمفردﮔﺮوه ﻣﻌﻤﺎری، داﻧﺸﮑﺪه ﻣﻌﻤﺎری و ﺷﻬﺮﺳﺎزی، واﺣﺪ ﻗﺰویﻦ، داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ، ﻗﺰویﻦ، ایﺮانJournal ArticleA study on the foundations of the formation of residential houses in different cities of Iran shows that there has always been a direct relationship between the climate, nature and residential architecture of Iran. Water element is one of the important elements of nature that has a special place in the architecture of traditional Iranian homes. In this research, it has been attempted to study the impact of climatic factors on the quality and quantity of water in the yard by examining the proportions of the pool and the yard in the residential architecture of various climates in Iran. The research method of causal correlation is comparative with deductive reasoning and its information is collected and documented. The systematic random sampling method was used and the statistical population consists of 32 houses of traditional Iranian homes in four different climates of the country. The theoretical framework of this research is based on the fact that climatic factors play an important role in determining the proportions of the pond and the courtyard in traditional Iranian homes. Climatic factors, independent variables, and pond and yard proportions are dependent variables of this research. The results of this research show that the formation of pond and yard proportions in traditional Iranian homes has been influenced by the climatic factors of the region.<span>ﻣﻄﺎﻟﻌﻪ روی ﻣﺒﺎﻧﯽ ﺷﮑﻞﮔﯿﺮی ﺧﺎﻧﻪﻫﺎی ﻣﺴﮑﻮﻧﯽ ﺷﻬﺮﻫﺎی ﻣﺨﺘﻠﻒ ایﺮان ﻧﺸﺎن ﻣﯽدﻫﺪ ﮐﻪ ﻫﻤﻮاره راﺑﻄﻪ ای ﻣﺴﺘﻘﯿﻢ ﻣﯿﺎن اﻗﻠﯿﻢ، ﻃﺒﯿﻌﺖ و ﻣﻌﻤﺎری ﻣﺴﮑﻮﻧﯽ ایﺮان وﺟﻮد داﺷﺘﻪ اﺳﺖ. یﮑﯽ از ﻋﻨﺎﺻﺮ ﻣﻬﻢ ﻃﺒﯿﻌﺖ ﮐﻪ در ﻣﻌﻤﺎری ﺧﺎﻧﻪ ﻫﺎی ﺳﻨﺘﯽ ایﺮان ﺟﺎیﮕﺎه ویﮋه ای داﺷﺘﻪ، ﻋﻨﺼﺮ آب اﺳﺖ. در ایﻦ ﺗﺤﻘﯿﻖ ﺳﻌﯽ ﺷﺪه اﺳﺖ ﺑﺎ ﺑﺮرﺳﯽ ﺗﻨﺎﺳﺒﺎت ﺣﻮض و ﺣﯿﺎط در ﻣﻌﻤﺎری ﻣﺴﮑﻮﻧﯽ اﻗﻠﯿﻢﻫﺎی ﻣﺨﺘﻠﻒ ایﺮان، ﺑﻪ ﭼﮕﻮﻧﮕﯽ ﺗﺎﺛﯿﺮ ﻋﻮاﻣﻞ اﻗﻠﯿﻤﯽ روی ﮐﯿﻔﯿﺖ و ﮐﻤﯿﺖ آب در ﺣﯿﺎط ﭘﺮداﺧﺘﻪ ﺷﻮد. روش ﺗﺤﻘﯿﻖ ﻫﻤﺒﺴﺘﮕﯽ ﻋﻠﯽﻣﻘﺎیﺴﻪای ﺑﺎ اﺳﺘﺪﻻل اﺳﺘﻨﺘﺎﺟﯽ اﺳﺖ و اﻃﻼﻋﺎت آن ﺑﻪ روش اﺳﻨﺎدی ﮔﺮدآوری و ﺗﻨﻈﯿﻢ ﺷﺪ. روش ﻧﻤﻮﻧﻪ ﮔﯿﺮی ﺗﺼﺎدﻓﯽ ﻧﻈﺎمدار و ﺟﺎﻣﻌﻪ آﻣﺎری ۳۲ ﺧﺎﻧﻪ از ﺧﺎﻧﻪﻫﺎی ﺳﻨﺘﯽ ایﺮان در ﭼﻬﺎر اﻗﻠﯿﻢ ﻣﺨﺘﻠﻒ ایﺮان ﺑﻮد. ﭼﺎرﭼﻮب ﻧﻈﺮی ایﻦ ﺗﺤﻘﯿﻖ ﺑﺮ ایﻦ اﺳﺎس اﺳﺘﻮار اﺳﺖ ﮐﻪ ﻋﻮاﻣﻞ اﻗﻠﯿﻤﯽ ﻧﻘﺶ ﻣﻬﻤﯽ در ﺗﻌﯿﯿﻦ ﺗﻨﺎﺳﺒﺎت ﺣﻮض و ﺣﯿﺎط در ﺧﺎﻧﻪﻫﺎی ﺳﻨﺘﯽ ایﺮان داﺷﺘﻪ اﻧﺪ. ﻋﻮاﻣﻞ اﻗﻠﯿﻤﯽ، ﻣﺘﻐﯿﺮﻫﺎی ﻣﺴﺘﻘﻞ و ﺗﻨﺎﺳﺒﺎت ﺣﻮض و ﺣﯿﺎط، ﻣﺘﻐﯿﺮﻫﺎی واﺑﺴﺘﻪ ایﻦ ﺗﺤﻘﯿﻖ ﻫﺴﺘﻨﺪ. ﻧﺘﺎیﺞ ایﻦ ﺗﺤﻘﯿﻖ ﻧﺸﺎن ﻣﯽدﻫﺪ ﮐﻪ ﺷﮑﻞﮔﯿﺮی ﺗﻨﺎﺳﺒﺎت ﺣﻮض و ﺣﯿﺎط در ﺧﺎﻧﻪﻫﺎی ﺳﻨﺘﯽ ایﺮان، ﺗﺤﺖ ﺗﺎﺛﯿﺮ ﻋﻮاﻣﻞ اﻗﻠﯿﻤﯽ ﻣﻨﻄﻘﻪ ﺑﻮده اﺳﺖ. </span>https://bsnt.modares.ac.ir/article_844_e97ee2054defb209c35fe4dc94599061.pdfدانشگاه تربیت مدرسنقش جهان - مطالعات نظری و فناوری های نوین معماری و شهرسازی2322-49918420190220Semantics in Architectural Works Based on Islamic Viewمعناشناسی در آثار معماری از منظر اسلامی259266845FAمحمدمنانرئیسیﮔﺮوه ﻣﻬﻨﺪﺳﯽ ﻣﻌﻤﺎری، داﻧﺸﮑﺪه ﻓﻨﯽ و ﻣﻬﻨﺪﺳﯽ، داﻧﺸﮕﺎه ﻗﻢ، ﻗﻢ، ایﺮانعبدالحمیدنقرهکارﮔﺮوه ﻣﻌﻤﺎری، داﻧﺸﮑﺪه ﻣﻌﻤﺎری و ﺷﻬﺮﺳﺎزی، داﻧﺸﮕﺎه ﻋﻠﻢ و ﺻﻨﻌﺖ ایﺮان، ﺗﻬﺮان، ایﺮانJournal ArticleIntroduction By examining “quiddity of meaning in architectural works”, the authors claimed to have introduced a new theory in the field of the meaning of architectural works entitled “semantics in architectural works based on the Islamic view”. The main purpose of explaining this theory is to explain the nature of meaning in the architectural works from the Islamic point of view, so as to clarify the answers to such questions as “how is the semantic domain of architectural works” and” quiddity of the role of architect in shaping the meaning of the work”. The method used to derive the aforementioned theory is a mixed method (consisting of qualitative content analysis and deduction). In addition, according to the theoretical nature of the theory, data collection was carried out through documentary library studies and by analyzing the rational basis and the philosophical foundations of the Islamic teachings and, in particular, the rational-philosophical teachings.<br>
Conclusion Based on the results of this theory, firstly, the meaning of the effect, from the conception point of view, is influenced by the three components, including the architect, the framework of work, and the field. However, from the interpretation point of view, in addition to the three components, the fourth component, named stakeholder, is also significant. Secondly, the semantic domain of architectural works is semi-closed, regulated, and limited; this limitation is due to the existence of a common factor named nature. Therefore, considering the role of this common and constant factor, the architectural work does not the ability to induce any meaning, and every framework has a certain meaning.<span>ﻣﻘﺪﻣﻪ: ﻃﯽ ﺑﺮرﺳﯽ ﻣﺴﺎﻟﻪ "ﭼﯿﺴﺘﯽ ﻣﻌﻨﺎ در آﺛﺎر ﻣﻌﻤﺎری"، ﻧﮕﺎرﻧﺪﮔﺎن در ایﻦ ﻣﻘﺎﻟﻪ ﻧﻈﺮیﻪای ﺟﺪیﺪ در ﺣﻮزه ﻣﻌﻨﺎی آﺛﺎر ﻣﻌﻤﺎری ﺑﺎ ﻋﻨﻮان "ﻣﻌﻨﺎﺷﻨﺎﺳﯽ در آﺛﺎر ﻣﻌﻤﺎری از ﻣﻨﻈﺮ اﺳﻼﻣﯽ" ارایﻪ ﻧﻤﻮدهاﻧﺪ ﮐﻪ ﻫﺪف اﺻﻠﯽ از ﺗﺒﯿﯿﻦ ایﻦ ﻧﻈﺮیﻪ، ﺗﺒﯿﯿﻦ ﻣﺎﻫﯿﺖ ﻣﻌﻨﺎ در آﺛﺎر ﻣﻌﻤﺎری از ﻣﻨﻈﺮ اﺳﻼﻣﯽ اﺳﺖ ﺗﺎ ﺑﺎ ﺗﺎﻣﯿﻦ ایﻦ ﻫﺪف، ﭘﺎﺳﺦ ﭘﺮﺳﺶ ﻫﺎیﯽ ﻧﻈﯿﺮ "ﭼﮕﻮﻧﮕِﯽ داﻣﻨﻪ ﻣﻌﻨﺎیﯽ » و "ﭼﯿﺴﺘِﯽ ﻧﻘﺶ ﻣﻌﻤﺎر در ﺷﮑﻞ ﮔﯿﺮِی ﻣﻌﻨﺎی اﺛﺮ" روﺷﻦ ﺷﻮد. روﺷﯽ ﮐﻪ ﺑﺮای اﺳﺘﻨﺘﺎج ﻧﻈﺮیﻪ ﻓﻮقاﻟﺬﮐﺮ ﻣﻮرد اﺳﺘﻔﺎده ﻗﺮار ﮔﺮﻓﺘﻪ اﺳﺖ روﺷﯽ ﺗﺮﮐﯿﺒﯽ (ﻣﺮﮐﺐ از ﺗﺤﻠﯿﻞ ﻣﺤﺘﻮای ﮐﯿﻔﯽ و اﺳﺘﺪﻻل ﻣﻨﻄﻘﯽ) اﺳﺖ. ﺿﻤﻦ آﻧﮑﻪ ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﻣﺎﻫﯿﺖ ﺗﺌﻮریﮏ ﻧﻈﺮیﻪ، ﮔﺮدآوری دادهﻫﺎ از ﻃﺮیﻖ ﻣﻄﺎﻟﻌﺎت اﺳﻨﺎدی ﮐﺘﺎﺑﺨﺎﻧﻪ ای و ﺑﺎ ﺗﺤﻠﯿﻞ ﮔﺰاره ﻫﺎی ِﺣﮑﻤﯽ و ﺑﻨﯿﺎن ﻣﻮﺟﻮد در آﻣﻮزه ِﻫﺎی ﻓﻠﺴﻔﯽ ﻫﺎی اﺳﻼﻣﯽ و ﺑﻪﻃﻮر ﺧﺎص، آﻣﻮزهﻫﺎی ﺣﮑﻤﯽ- ﻣﮑﺘﺐ اﺳﻼم اﻧﺠﺎم ﺷﺪه اﺳﺖ. <br>
ﻧﺘﯿﺠﻪﮔﯿﺮی: ﺑﺮﭘﺎیﻪ یﺎﻓﺘﻪ ﻣﻌﻨﺎی اﺛﺮ در ﻣﻘﺎم ﺗﮑﻮیﻦ، ﻣﺘﺎﺛﺮ ًاز ﺳﻪ ﻣﻮﻟﻔﻪ ﻣﻌﻤﺎر، ﮐﺎﻟﺒﺪ اثر و زمینه است حال آنکه در مقام تاویل علاوه بر این ﺳﻪ ﻣﻮﻟﻔﻪ، ﻣﻮﻟﻔﻪ ﭼﻬﺎرﻣﯽ ﺑﻪ ﻧﺎم ﻣﺨﺎﻃﺐ ﻧﯿﺰ ذی ﺳﻬﻢ اﺳﺖ؛ ﺛﺎﻧﯿﺎ دامنه معنایی آﺛﺎر ﻣﻌﻤﺎری، داﻣﻨﻪای ﻧﯿﻤﻪﺑﺴﺘﻪ، ﺿﺎﺑﻄﻪﻣﻨﺪ و ﻣﺤﺪود اﺳﺖ ﮐﻪ ایﻦ ﻣﺤﺪودیﺖ ﺑﻪدﻟﯿﻞ وﺟﻮد ﻋﺎﻣﻞ ﻣﺸﺘﺮﮐﯽ ﺑﻪ ﻧﺎم ﻓﻄﺮت ﻣﯿﺎن ﻫﻤﻪ اﻧﺴﺎنﻫﺎ اﺳﺖ. ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﻧﻘﺶ ﻓﻄﺮت ﺑﻪ ﻋﻨﻮان ﻋﺎﻣﻞ ﻣﺸﺘﺮک و ﺛﺎﺑﺖ و ﺣﻘﯿﻘﯽ ﺑﯿﻦ ﺗﻤﺎم اﻧﺴﺎن ﻫﺎ، اﺛﺮ ﻣﻌﻤﺎری ﻗﺎﺑﻠﯿﺖ ﻻزم ﺑﺮای اﻟﻘﺎی ﻫﺮ ﻣﻌﻨﺎیﯽ را ﻧﺪارد و ﻫﺮ ﮐﺎﻟﺒﺪی، ﻣﺎﺑﻪازای معنایی ﻣﺸﺨﺼﯽ دارد. </span>https://bsnt.modares.ac.ir/article_845_b86e8d03fe992d1b0e19656875ee557c.pdf