New Interpretation of Sensory Perception in Iranian-Islamic Architecture of Bazaar: A Case Study of Bazaar of Kashan

Document Type : Analytic Review

Authors
1 Architecture Department, Natanz Branch, Islamic Azad University, Na-tanz, Iran
2 Art & Architecture Department, Architecture & Urbanism Faculty, Science & Research Branch, Islamic Azad University, Tehran, Iran
3 Art & Architecture Department, Architecture Faculty, Tarbiat Modares University, Tehran, Iran
Abstract
Introduction Encountering with environment, sensory perception paves the way for the creation of meaning and the architect has to mix merely technical ideas with sensory perception to make it possible to approach the real and living meaning, which have been present in people’s lives. Criterion architecture, where architect’s physical and mental features prepare the formation of his work, causes the audience to find an intellectual picture of him. Iranian traditional architecture, particularly Iranian Bazaar architecture, is a type of visual-perceptual architecture, which involves all senses. The aim of this study was to investigate and understand the concept and structure of the Kashan Bazaar as a space consistent with Iranian values and identities. A combination of qualitative and quantitative research methods was used and the main body of the research was an analytical-exploratory method.

Conclusion As one of the examples of Iranian bazaars, the architecture of Bazaar of Kashan creates a sensory concentration system by embodying sensory incentives. Within the major directional system, corridors invite you to walk through them and discover the surroundings, and peace can be found in places such as mosques, Timches, and open spaces nearby. In the bazaar, the perceptual process is achieved in the face of the enormous congestion and desolation in the environment. This secrecy in the first step leads to the creation of the quality of inviting to gain tranquility, contemplation and thought; in the next stages, and based on human consciousness, it leads to the adoption of semantic systems and ultimately leads to the recognition of values and aesthetics.

Keywords

Subjects


Farah H. The unison of light and color in Iranian urban spaces. Honar-Ha-Ye Ziba. 2007;27(27):27-34. [Persian]
Pallasma J. The eyes of the skin: architecture and the
senses. Ghodsi R, translator. Tehran: Parham Naghsh; 2009. pp. 38-73. [Persian]
Schultz CN. The concept of dwelling: On the way to figurative architecture. Yar Ahmadi A, translator. Tehran: Agah; 2008. [Persian]
Lawson B. The language of space. Eynifar AR, Karimian F, translator. Teharan: University of Tehran; 2013. [Persian]
Naghizadeh M. The effect of architecture and city on cultural values. Honar-Ha-Ye ziba. 2002;11(11). [Persian].
Shafiee Ardestani R, Sharifi Daramadi P. Blindness and environment perception. Isfahan: Sepahan; 2007. [Persian]
Nasafi A. Le Livre de L'homme parfait (Kitab al -insan al-kamil). Mole M, Corbin H, editors. Dehshiri SZ, trasnlator. 7th Edition. Tehran: Tahoori; 2006. [Persian]
Dehkhodā AA. Dehkhoda's Dictionary. 16th Volume. 1st Edition. Tehran: University of Tehran; 2000. [Persian]
Webster M. Wester’s third new international dictionary. Massachusetts: Merriam Webster; 1986.
Longman P. Longman Dictionary of Contemporary English. 4th Edition. London: Pearson Longman; 2009.
Moin M. Moin encyclopedic dictionary. 1st Edition. Tehran: Behzad; 2011. [Persian]
Falamaki M, Akbari A. Investigation of “Senses & Emotion” Notions in Phenomenology of Built Spaces. Iran J Anthr Res. 2016;6(1):7-12. [Persian]
Gifford R. Environmental psychology: Principles and practice. Boston: Allyn & Bacon; 1997. [Persian
Khosravi Z. Psychological Foundations of gender. 1st Edition. Tehran: Alzahra University; 2003. [Persian]
Iravani M, Khoda-panahi MK. Sensation and perception psychology. 5th Edition. Tehran: Samt; 2000. [Persian]
Firouzi MA, Nasrabadi Z. The Impact of Modernism on the Bazaar in Kashan. J soc dev. 2014;8(3):53-74. [Persian]