Volume 13, Issue 1 (2023)
Naqshejahan 2023, 13(1): 142-157 |
Back to browse issues page
Download citation:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
BibTeX | RIS | EndNote | Medlars | ProCite | Reference Manager | RefWorks
Send citation to:
Arab S. Inlay in contemporary heritage: A historical reading of the inlay work of the entrance door of Zeyd Imamzadeh in Tehran and the protected entrance door in the National Museum of Iran. Naqshejahan 2023; 13 (1) :142-157
URL: http://bsnt.modares.ac.ir/article-2-68917-en.html
URL: http://bsnt.modares.ac.ir/article-2-68917-en.html
Research Expert of Cultural Heritage and Tourism Research Institute, Tehran, Iran , shamira_arab@yahoo.com
Abstract: (1003 Views)
Aims: Inlay is one of the invaluable art-works of contemporary heritage of Qajar era. The aim of the research is to document and to analyze the entrance door of Zeyd Imamzadeh in Tehran and the entrance door of the National Museum of Iran. It is to understand the innovative components of these cases in order to obtain deep technical information about inlay.
Methods: From the methodological point of view, the research has a qualitative nature. For the experimental part of the inference mechanism, the case studies were analyzed by combined strategies in a contextual approach. The research method has a descriptive-analytical nature. The method of collecting the information is technical survey and in-depth scrutiny. The two entrances have been selected by purposive sampling method.
Findings: The investigations carried out in the field and accomplished by reviewing the documentary availability. The findings indicate that the inlay work of the entrance door of Zeyd Imamzadeh in Tehran and the protected entrance door in the National Museum of Iran are among the best examples of contemporary heritage which revealed the hidden quality of the Qajar art and architecture.
Conclusion: The conclusion of the research indicates that the studied entrance doors are among the high-quality art-works of the Qajar period, in which innovative components such as marquetry inlay and inlay are in high quality arrangement of Gereh. The conclusion of the research highlights that the protection and maintenance are among the most effective parts of the conservation of these heritage monuments.
Methods: From the methodological point of view, the research has a qualitative nature. For the experimental part of the inference mechanism, the case studies were analyzed by combined strategies in a contextual approach. The research method has a descriptive-analytical nature. The method of collecting the information is technical survey and in-depth scrutiny. The two entrances have been selected by purposive sampling method.
Findings: The investigations carried out in the field and accomplished by reviewing the documentary availability. The findings indicate that the inlay work of the entrance door of Zeyd Imamzadeh in Tehran and the protected entrance door in the National Museum of Iran are among the best examples of contemporary heritage which revealed the hidden quality of the Qajar art and architecture.
Conclusion: The conclusion of the research indicates that the studied entrance doors are among the high-quality art-works of the Qajar period, in which innovative components such as marquetry inlay and inlay are in high quality arrangement of Gereh. The conclusion of the research highlights that the protection and maintenance are among the most effective parts of the conservation of these heritage monuments.
Keywords: Inlay, Marquetry inlay, inlay in the way of arrangement of Gereh, contemporary heritage, entrance of Zeyd Imamzadeh, National Museum of Iran.
Article Type: Original Research |
Subject:
Highperformance Architecture
Received: 2023/03/7 | Accepted: 2023/05/24 | Published: 2023/05/28
Received: 2023/03/7 | Accepted: 2023/05/24 | Published: 2023/05/28
References
1. Haghir, S., Salavati, K. Iranians’ Positive Criticism on European Architecture and Its Correlation with Their Negative Criticism on Iranian Architecture and Town Planning during the Late Qajar Era. The Monthly Scientific Journal of Bagh- E Nazar. 2020; 17(83): 5-14. [Persian] https://doi.org/10.22034/bagh.2019.188582.4146 [Article] [DOI]
2. Latifi M, Diba D. Data Mining of the Spatial Structure of Qajar Native Housing; Case Study: Jangjouyan House of Isfahan. Naqshejahan - Basic Studies and New Technologies of Architecture and Planning. 2020 Oct 10;10(3):163-71. [Persian] https://dorl.net/dor/20.1001.1.23224991.1399.10.3.7.7 [Article] [DOI]
3. Nasr T, Rismani A, Bahadori M. The Significance of Natural Components of Quranic Life in Islamic-Iranian Architecture (Case Studies: Residential Architecture of Qajar, Zand and Pahlavi Eras in Shiraz). Naqshejahan - Basic Studies and New Technologies of Architecture and Planning, 2017 Dec 10;7(3):47-62. [Persian] https://dorl.net/dor/20.1001.1.23224991.1396.7.3.5.4 [Article]
4. Aghaeimehr M, Gharehbaglou M. Identity-Based Contemporization; Case Study: Iran Contemporary Urban Districts in Pahlavi Era. Naqshejahan - Basic Studies and New Technologies of Architecture and Planning. 2020 May 10;10(1):11-18. [Persian] https://dorl.net/dor/20.1001.1.23224991.1399.10.1.5.1 [Article]
5. Esmaeilian Toussi H, Etessam E. Analysis of the Architecture of the Industrial Heritage Using a Combined Method of Typology and Analytical Shape Grammar (Case Study of Textile Factories of Isfahan and Yazd in the Pahlavi Era). Naqshejahan - Basic Studies and New Technologies of Architecture and Planning. 2019 Mar 10;9(1):1-12. [Persian] https://dorl.net/dor/20.1001.1.23224991.1398.9.1.6.5 [Article]
6. Grabar O. Reflections on Qajar art and its significance. Iranian studies. 2001;34(1-4):183-6. https://doi.org/10.1080/00210860108702004 [Article] [DOI]
7. Pourjafar M, Akbarian R, Ansari M, Pourmand H. Conceptual approach in Persian architecture. SOFFEH. 2008;16(3-4):90-105. [Persian] https://dorl.net/dor/20.1001.1.1683870.1386.16.3.6.7 [Article] [DOI]
8. Mahdavinejad M. Creativity and Innovative Educational Process in Architectural Design. HONAR-HA-YE-ZIBA, 2005;21: 57-66. [Persian] Available at: https://jhz.ut.ac.ir/article_10726_1cfa47a0dfda95a986626f7e42efee3e.pdf [Article]
9. Mahdavinejad M. Education of Architectural Criticism. HONAR‐HA‐YE‐ZIBA, 2005; 23(23): 69‐76. [Persian] Available at: https://journals.ut.ac.ir/article_10716_617fad24a868a77cfa080aa5833a1b2c.pdf [Article]
10. Mahdavinejad M. Wisdom of Islamic Architecture: Recognition of Iranian Islamic Architecture Principles. HONAR‐HA‐YE‐ZIBA, 2004; 19(19):66‐57. [Persian] Available at: https://journals.ut.ac.ir/article_10691_2f9f0b4df41dcdb4da949272a8fa0466.pdf [Article]
11. Floor W. Art (naqqashi) and Artists (naqqashan) in Qajar Persia. Muqarnas. 1999 Jan 1;16:125-54. https://doi.org/10.2307/1523268 [Article] [DOI]
12. Behdad A. The power‐ful art of Qajar photography: orientalism and (self)‐orientalizing in nineteenth‐century Iran. Iranian Studies. 2001 Jan 1;34(1-4):141-51. https://doi.org/10.1080/00210860108702001 [Article] [DOI]
13. Grigor T. Orient oder Rom? Qajar “Aryan” architecture and Strzygowski's art history. The Art Bulletin. 2007 Sep 1;89(3):562-90. https://doi.org/10.1080/00043079.2007.10786361 [Article] [DOI]
14. Diba LS. Qajar photography and its relationship to Iranian art: A reassessment. History of Photography. 2013 Feb 1;37(1):85-98. https://doi.org/10.1080/03087298.2012.716227 [Article] [DOI]
15. Scarce JM. Ancestral themes in the art of Qajar Iran, 1785–1925. In Islamic Art in the 19th Century 2006 Jan 1 (pp. 231-256). Brill. https://doi.org/10.1163/9789047417279_013 [Article] [DOI]
16. Yarshater E. The Qajar era in the mirror of time. Iranian Studies. 2001;34(1-4):187-94. https://doi.org/10.1080/00210860108702005 [Article] [DOI]
17. Najmabadi A. Gendered transformations: beauty, love, and sexuality in Qajar Iran. Iranian Studies. 2001;34(1-4):89-102. https://doi.org/10.1080/00210860108701998 [Article] [DOI]
18. Kazemidemneh M, Mahdavinejad M. Use of space syntax technique to improve the quality of lighting and modify energy consumption patterns in urban spaces. European Journal of Sustainable Development. 2018 Jun 1;7(2): 29-40. https://doi.org/10.14207/ejsd.2018.v7n2p29 [Article] [DOI]
19. Afzal Tousi EA, Selahi G, Selahi L. Tileworks of Houses of Shiraz in the Qajar Era: a mythological study. Journal of Mytho-Mystic Literature. 2017 Nov 22;13(48):13-37. Available at: https://jmmlq.stb.iau.ir/article_536188.html?lang=en [Article]
20. Ekhtiar M, Sardar M. Nineteenth-century Iran: art and the advent of modernity. Heilbrunn Timeline of Art History. 2004. Available at: https://www.metmuseum.org/toah/hd/irmd/hd_irmd.htm [Article]
21. Fakhr BV, Mahdavinejad M, Rahbar M, Dabaj B. Design Optimization of the Skylight for Daylighting and Energy Performance Using NSGA-II. Journal of Daylighting. 2023 May 23;10(1):72-86. (doi: 10.15627/jd.2023.6) Available at: https://solarlits.com/jd/10-72 [Article]
22. Sarkar SK, Ansar SB, Ekram KM, Khan MH, Talukdar S, Naikoo MW, Islam AR, Rahman A, Mosavi A. Developing robust flood susceptibility model with small numbers of parameters in highly fertile regions of Northwest Bangladesh for sustainable flood and agriculture management. Sustainability. 2022 Mar 28;14(7):3982. https://doi.org/10.3390/su14073982 [Article] [DOI]
23. Diba LS. Persian Painting in the eighteenth century: tradition and transmission. Muqarnas. 1989 Jan 1:147-60. https://doi.org/10.2307/1602287 [Article] [DOI]
24. Mahmoudi F. Illustrations of Qajar Period Laquer Artworks with Iconography Approach. Parseh Journal of Archaeological Studies. 2019 Sep 10;3(8):159-77. http://journal.richt.ir/mbp/article-1-227-en.html [Article]
25. Arab S, Hatam GA, Shahroodi F. Study and analysis of the execution method of Merquetry inlay from the Qajar period to the recent decade. Negareh Journal. 2022 Jun 22. https://negareh.shahed.ac.ir/article_3802.html?lang=en [Article]
26. Baghestani Koozegar M, Razavi ZS, Salim MN. The Assessment of Structural Characteristics of Wooden Decorations in Two Qajarid Mosques in Tehran. Journal of Iranian Handicrafts Studies. 2022 Aug 23;5(1):47-58. https://hsi.kashanu.ac.ir/article_112085.html?lang=en [Article]
27. Habibi A, Hamedpour-Darabi M, Vahdati K. Local cultural values of Persian walnut in Iran. The Cultural Value of Trees. 2022:162-73. https://www.taylorfrancis.com/chapters/edit/10.4324/9780429320897-13/local-cultural-values-persian-walnut-iran-asaad-habibi-mohsen-hamedpour-darabi-kourosh-vahdati [Article]
28. Korolkova EF. Siberian Animal Style: Stylistic Features as Generic Indication. InArts 2023 Jan 18 (Vol. 12, No. 1, p. 19). MDPI. https://doi.org/10.3390/arts12010019 [Article] [DOI]
29. Moradiyan Ghojebaglo Z, Mohammadzadeh M, Shokrpour SH, Sheikhbaglo O, Comparative Survey of Jovak Motifs of Sheikh Safi al-Din Ardebili Monument’s Doors and Khoja Ahmad Yasawi Mausoleum’s Doors, Granting scientific research credit to Negareh quarterly, Available at: http://negareh.shahed.ac.ir/article_3193.html, 2022 [Article]
30. Mohammadzadeh M, Moradian Gojeh Baglo Z. Recognizing Methods of Making and Decorating the Wooden Chest of Ulugh Beg in Topkapi Sarai Museum. Journal of Iranian Handicrafts Studies. 2023 Feb 20;5(2):35-48. https://hsi.kashanu.ac.ir/article_112911.html?lang=en [Article]
31. Salahfard MH, Hosseinihashemi SK. Effects of various treatment methods on decay resistance and dimensional stability of nano-silver-treated Persian/Shiraz inlay (Khatam). BioResources. 2022 Aug 1;17(3):5268. 10.15376/biores.17.3.5268-5284 [Article] [DOI]
32. Darwish MA. AN ARCHAEOLOGICAL, ANALYTICAL AND COMPARATIVE STUDY OF A CANDLESTICK FROM MOSUL. International Journal of Cultural Inheritance & Social Sciences ISSN: 2632-7597. 2023 Mar 9;5(9):114-45. https://ijciss.com/index.php/j1/article/view/64 [Article]
33. Arab S., Hatam GH.A. and Shahrodi F., Study and analysis of the execution method of Merquetry inlay from the Qajar period to the recent decade, Granting scientific research credit to Negareh quarterly, Available at: http://negareh.shahed.ac.ir/?lang=en,2023 [Article]
34. Kanda Y. If I Circumambulate Around Him, I Will Be Burnt: A Brass Candlestick Endowed to the Mausoleum of Imam Musa al-Kazim, Kazimayn. Iran. 2023 Feb 1:1-9. https://doi.org/10.1080/05786967.2023.2170817 [Article] [DOI]
35. Bazyar M, Steele R. “The Shah's House Became the People's House”: Narrating Iran's Modern History at the Pahlavi Dynasty Museum. Iranian Studies. 2023:1-25. https://doi.org/10.1017/irn.2023.23 [Article] [DOI]
36. Zabolizadeh Ghazanfar Abadi V, Sheikhi A. Decoration and visual structure of Kufic script in the wall painting inscription of the tomb of Arsalan Jazeb. Honar-Ha-Ye-Ziba: Honar-Ha-Ye-Tajassomi. 2022 May 22;27(1):71-82. https://jfava.ut.ac.ir/article_87497.html?lang=en [Article]
37. Hijeat AM, Albazzaz IA. A study of the stages of development of domes in Iran, Central Asia and the Indian subcontinent after the Islamic conquest. InAIP Conference Proceedings 2023 Mar 27 (Vol. 2651, No. 1, p. 020072). AIP Publishing LLC. https://doi.org/10.1063/5.0105522 [Article] [DOI]
38. Chelkowski P. Narrative painting and painting recitation in Qajar Iran. Muqarnas. 1989 Jan 1:98-111. https://doi.org/10.2307/1602284 [Article] [DOI]
39. [39]. Roxburgh DJ, McWilliams M, Emami F, Schwerda MX. Technologies of the Image: Art in 19th-century Iran. Yale University Press; 2017. Available at: https://books.google.com/books?hl=en&lr=&id=co84DwAAQBAJ&oi=fnd&pg=PR9&dq=Qajar+Art&ots=gaD5U7--b_&sig=m5FBNiwe8ZuvG7kNzqzVEan7r6w#v=onepage&q=Qajar%20Art&f=false
40. Pedram B, Hosseini M, Rahmani GR. The Importance of Painting in Qajar Dynasty Based on the Sociology Point of View. Journal of History Culture and Art Research. 2017 Jun 16;6(3):985-98. https://doi.org/10.7596/taksad.v6i3.967 [Article] [DOI]
Send email to the article author
| Rights and permissions | |
 |
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. |